{"id":756,"date":"2025-05-29T12:46:21","date_gmt":"2025-05-29T12:46:21","guid":{"rendered":"https:\/\/thebarrister.cz\/?p=756"},"modified":"2025-08-22T17:18:03","modified_gmt":"2025-08-22T17:18:03","slug":"vystava-martin-salajka-observace","status":"publish","type":"post","link":"https:\/\/thebarrister.cz\/en\/2025\/05\/29\/vystava-martin-salajka-observace\/","title":{"rendered":"V\u00fdstava MARTIN SALAJKA: OBSERVACE"},"content":{"rendered":"

Od 6. 6. do 30. 8. 2025 m\u016f\u017eete v The Barrister nav\u0161t\u00edvit v\u00fdstavu v\u00fdrazn\u00e9 osobnosti sou\u010dasn\u00e9 \u010desk\u00e9 v\u00fdtvarn\u00e9 sc\u00e9ny – mal\u00ed\u0159e a grafika Martina Salajky<\/strong>. V\u00fdstava s n\u00e1zvem Observace <\/em>p\u0159edstavuje \u0161irok\u00fd soubor 35 maleb a 12 grafick\u00fdch list\u016f autora.<\/p>\n

V\u00fdstava je zdarma k vid\u011bn\u00ed v otev\u00edrac\u00ed dob\u011b The Barrister: Po-St a So: 8:00\u2013\u206020:00, \u010ct-Pa: 8:00\u201322:00, Ne: 8:00\u2013\u206016:00<\/p>\n

Katalog v\u00fdstavy si m\u016f\u017eete prohl\u00e9dnout ZDE: Katalog_vystavy_Observace<\/a>.<\/p>\n

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MARTIN SALAJKA<\/b> (1981) absolvoval St\u0159edn\u00ed um\u011bleckopr\u016fmyslovou \u0161kolu v Uhersk\u00e9m Hradi\u0161ti, obor U\u017eit\u00e1 malba, n\u00e1sledn\u011b Fakultu v\u00fdtvarn\u00fdch um\u011bn\u00ed v Brn\u011b (ateli\u00e9r malby doc. Petra Vesel\u00e9ho) a sv\u00e1 studia dokon\u010dil na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze (v ateli\u00e9r malby doc. Michaela Rittsteina). M\u00e1 za sebou des\u00edtky samostatn\u00fdch i skupinov\u00fdch v\u00fdstav v \u010cech\u00e1ch i v zahrani\u010d\u00ed. Kdy\u017e pr\u00e1v\u011b nen\u00ed v lese nebo na ryb\u00e1ch, zastihnete ho v pra\u017esk\u00fdch Nusl\u00edch, kde \u017eije a kde ve sv\u00e9m ateli\u00e9ru vytrvale tvo\u0159\u00ed.<\/p>\n

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\n

O AUTOROVI A V\u00ddSTAV\u011a:\u00a0<\/strong><\/p>\n

Martina Salajku bychom mohli ozna\u010dit za jak\u00e9hosi etablovan\u00e9ho solit\u00e9ra \u010desk\u00e9 v\u00fdtvarn\u00e9 sc\u00e9ny. Jeho osobn\u00edm i um\u011bleck\u00fdm v\u00fdvojem velmi siln\u011b prostupuje touha d\u011blat v\u011bci jinak a po sv\u00e9m. Jde cestou, kter\u00e1 vy\u017eaduje trp\u011blivost i odvahu. Odvahu zkou\u0161et pro\u0161lap\u00e1vat cesty, kter\u00fdmi se ostatn\u00ed nevyd\u00e1vaj\u00ed, \u010delit riziku ne\u00fasp\u011bchu a tak\u00e9 nez\u00edsk\u00e1vat plody sv\u00e9ho sna\u017een\u00ed ihned. Jej\u00ed n\u00e1sledov\u00e1n\u00ed se mu ale v mnoha ohledech \u00faro\u010d\u00ed. V tvorb\u011b, v jeho obl\u00edben\u00e9m chyt\u00e1n\u00ed ryb i v \u017eit\u00ed dobr\u00e9ho \u017eivota obecn\u011b. Jeho d\u00edla se prod\u00e1vaj\u00ed \u010d\u00edm d\u00e1l t\u00edm v\u00edce a v posledn\u00ed dob\u011b chyt\u00e1 ryby tak velk\u00e9, \u017ee je t\u00edm s\u00e1m \u010dasto udiven. Nach\u00e1z\u00ed tak\u00e9 v\u00edce \u017eivotn\u00edho klidu a uspokojen\u00ed, kter\u00e9 nen\u00ed tak instantn\u00ed a pom\u00fdjiv\u00e9 a k jeho\u017e dosa\u017een\u00ed se nepot\u0159ebuje honit za dal\u0161\u00edmi a je\u0161t\u011b intenzivn\u011bj\u0161\u00edmi podn\u011bty, za v\u011bt\u0161\u00edm mno\u017estv\u00edm materi\u00e1ln\u00edch v\u00fddobytk\u016f nebo v\u00fdrazn\u011bj\u0161\u00edm v\u011bhlasem a sl\u00e1vou. B\u00fdt mal\u00ed\u0159em pro n\u011bj znamen\u00e1 \u017e\u00edt sv\u016fj sen. A toto v\u00fdchodisko z\u016fst\u00e1v\u00e1 nem\u011bnn\u00e9, a\u0165 u\u017e se mu pr\u00e1v\u011b <\/span>\u201e<\/span>zd\u00e1 kr\u00e1sn\u00fd sen nebo no\u010dn\u00ed m\u016fra\u201d. V\u0161e p\u0159ij\u00edm\u00e1 v autenticit\u011b a tak, jak to k n\u011bmu p\u0159ich\u00e1z\u00ed. A stejn\u011b tak p\u0159istupuje i ke sv\u00e9mu tv\u016fr\u010d\u00edmu procesu.<\/span>
\n<\/span>
\n<\/span> Jeho d\u00edla jsou proto stejn\u011b tak autentick\u00e1 a nesou otisk jist\u00e9 syrov\u00e9 pravdivosti. Jsou odrazem v\u0161eho, co jde v komplexit\u011b vn\u00edman\u00e9ho a zobrazovan\u00e9ho zachytit, kdy\u017e se \u010dlov\u011bk stane skute\u010dn\u011b v\u0161\u00edmav\u00fdm pozorovatelem. V\u0161ech t\u011bch protikladn\u00fdch sil, kter\u00e9 nemohou existovat jedna bez druh\u00e9: kr\u00e1sy i o\u0161klivosti, klidu i siln\u00e9ho a vibruj\u00edc\u00edho hem\u017een\u00ed, sv\u011btla i temnoty, zrodu i z\u00e1niku. Tak\u00e9 p\u0159\u00edroda, tak \u010dast\u00fd motiv Salajkov\u00fdch pl\u00e1ten, n\u00e1m v jeho d\u00edle nen\u00ed p\u0159edkl\u00e1d\u00e1na jen jako idilick\u00e1 a estetizuj\u00edc\u00ed. Je mnohem v\u00edce re\u00e1ln\u00fdm d\u011bji\u0161t\u011bm odv\u011bk\u00e9ho z\u00e1pasu mezi pred\u00e1torem a ko\u0159ist\u00ed, mezi \u017eivotem a smrt\u00ed.\u00a0<\/span><\/p>\n

Martin Salajka o sv\u00fdch lesn\u00edch n\u00e1m\u011btech: \u201e<\/span>Lu\u017en\u00ed les byl kousek od domu, kde jsem vyr\u016fstal. Divok\u00fd les s jezerem napln\u011bn\u00fd tajemstv\u00edm. Od mali\u010dka m\u011b to do n\u011bj t\u00e1hlo. Objevoval jsem, chodil k tomu jezeru na ryby, pozoroval, poslouchal a hlavn\u011b se konfrontoval se v\u0161\u00edm t\u00edm tajemn\u00fdm, co je v p\u0159\u00edrod\u011b p\u0159\u00edtomn\u00e9.\u00a0 Hn\u00edzda, nory, dutiny ve stromech, hlubok\u00e9 t\u016fn\u011b. V\u0161echna ta zaj\u00edmav\u00e1 m\u00edsta, kter\u00e1 chce\u0161 prozkoumat. Sovy s tak\u0159ka lidskou tv\u00e1\u0159\u00ed, kter\u00e9 sly\u0161\u00ed\u0161 uprost\u0159ed noci a sna\u017e\u00ed\u0161 se porozum\u011bt tomu, co \u0159\u00edkaj\u00ed. V lese a p\u0159i lovu ryb mi do\u0161lo, \u017ee pozorov\u00e1n\u00ed je nejd\u016fle\u017eit\u011bj\u0161\u00ed. Prvn\u011b pojmenov\u00e1n\u00ed v\u011bc\u00ed a pak pozorov\u00e1n\u00ed skrze intuici. Dobr\u00fd pes poslouch\u00e1 sv\u00e9ho \u010dlov\u011bka. Dobr\u00fd \u010dlov\u011bk v\u0161ak v\u00ed, kdy m\u00e1 poslechnout sv\u00e9ho psa.<\/span><\/i>\u201d<\/span><\/p>\n


\n<\/span>I proto jsme v\u00fdstavu spole\u010dn\u011b nazvali <\/span>Observace<\/span><\/i>. Pojmem, kter\u00fd je nejen esenc\u00ed podstaty tv\u016fr\u010d\u00edho procesu Martina Salajky, ale i vyj\u00e1d\u0159en\u00edm st\u011b\u017eejn\u00edho v\u00fdznamu jeho tvorby. Observace je procesem pozorn\u00e9ho sledov\u00e1n\u00ed okoln\u00edho sv\u011bta umo\u017e\u0148uj\u00edc\u00edm odhalit \u0161ir\u0161\u00ed z\u00e1konitosti a souvislosti. Salajkova observace v\u0161ak nen\u00ed v\u011bdecky exaktn\u00ed, ale sp\u00ed\u0161e siln\u011b intuitivn\u00ed a zalo\u017een\u00e1 na prost\u00e9 vn\u00edmavosti a emocion\u00e1ln\u00ed otev\u0159enosti v\u016f\u010di pozorovan\u00e9mu. Um\u011blec se v n\u00ed st\u00e1v\u00e1 jakousi br\u00e1nou, skrze n\u00ed\u017e k n\u00e1m v\u011bci ve vn\u011bj\u0161\u00edm sv\u011bt\u011b proud\u00ed v jeho siln\u00e9m pro\u017eitkov\u00e9m toku a organicky se otiskuj\u00ed na pl\u00e1tno. D\u00edla tak vznikaj\u00ed sp\u00ed\u0161e \u017eiveln\u011b a nenesou rozumov\u00fd kalkul nebo snahu o p\u0159edchoz\u00ed konceptu\u00e1ln\u00ed uchopen\u00ed. A p\u0159esto nejsou jen sm\u011bs\u00edc\u00ed nahodilosti a \u010dasto se dot\u00fdkaj\u00ed podstaty v\u00edce, ne\u017e by to dok\u00e1zal syst\u00e9m zalo\u017een\u00fd na racion\u00e1ln\u00ed kognici. Autor s\u00e1m ozna\u010duje sv\u016fj tv\u016fr\u010d\u00ed proces za cenn\u00fd n\u00e1stroj pozn\u00e1n\u00ed, kter\u00fd m\u016f\u017ee b\u00fdt v mnoha ohledech objevn\u00fd. Neust\u00e1l\u00e9 my\u0161len\u00ed zalo\u017een\u00e9 na anal\u00fdze a logice n\u00e1s toti\u017e \u010dasto zav\u00e1d\u00ed do mnoha past\u00ed racion\u00e1ln\u00edch konstrukt\u016f, skrze kter\u00e9 nejsme schopni vid\u011bt d\u00e1le. Salajka prozkoum\u00e1v\u00e1 a nab\u00edz\u00ed odli\u0161nou cestu. Pozoruje vn\u011bj\u0161\u00ed sv\u011bt, otiskuje na pl\u00e1tno dojem z n\u011bj a pot\u00e9 objevuje, co vytvo\u0159il. V\u00fdsledek nep\u0159edj\u00edm\u00e1, ale nech\u00e1v\u00e1 se j\u00edm p\u0159ekvapit. Teprve skrze zp\u011btn\u00fd pohled na sv\u00e1 pl\u00e1tna \u010dasto ukon\u010duje pomysln\u00fd kruh vlastn\u00edho pozn\u00e1n\u00ed v\u011bc\u00ed a jejich souvislost\u00ed.\u00a0<\/span><\/p>\n

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Jeho d\u00edla n\u00e1m mo\u017en\u00e1 i d\u00edky tomu nep\u0159edkl\u00e1daj\u00ed ani p\u0159\u00edli\u0161 mnoho, ani p\u0159\u00edli\u0161 m\u00e1lo. Nekladou si p\u0159ehnan\u00e9 ambice p\u0159in\u00e1\u0161et odpov\u011bdi, rozdm\u00fdch\u00e1vat diskuze, vypov\u00eddat v komplexit\u011b o celospole\u010densk\u00fdch fenom\u00e9nech. A p\u0159esto nejsou ani trochu vypr\u00e1zdn\u011bn\u00e1. Zneklid\u0148uj\u00ed n\u00e1s, vtahuj\u00ed, podn\u011bcuj\u00ed n\u00e1\u0161 z\u00e1jem a na\u0161i zv\u011bdavost, nut\u00ed n\u00e1s se zastavit a konfrontovat se s nimi. Nesna\u017e\u00ed se n\u00e9st celou pravdu, kter\u00e1 by se v um\u011bleck\u00e9 zkratce jen zplo\u0161tila a stala bezzubou. Nesou pr\u00e1v\u011b ten jeden st\u0159\u00edpek reality, kter\u00fd je tak akor\u00e1t velk\u00fd, aby ho um\u011bleck\u00e9 d\u00edlo mohlo v pravdivosti n\u00e9st a un\u00e9st. A takto st\u0159\u00edpek po st\u0159\u00edpku skl\u00e1d\u00e1 Salajka celou mozaiku sv\u00e9 vlastn\u00ed v\u00fdpov\u011bdi o tomto sv\u011bt\u011b, sv\u00e9ho sv\u011bdectv\u00ed, ve kter\u00e9m se v\u0161ak ve skute\u010dnosti prom\u00edt\u00e1 mnoh\u00e9: o stavu na\u0161\u00ed spole\u010dnosti a jej\u00edch hodnot\u00e1ch, o na\u0161em vztahu k p\u0159\u00edrod\u011b, k sob\u011b sam\u00fdm i k sob\u011b navz\u00e1jem. Jeho duchov\u00e9 a d\u00e9moni jsou na\u0161imi d\u00e9mony. T\u011bmi vnit\u0159n\u00edmi, kter\u00e9 si neseme, i t\u011bmi, kter\u00e9 na\u0161\u00edm po\u010d\u00edn\u00e1n\u00edm vyvol\u00e1v\u00e1me. I p\u0159es dynamickou v\u00fdrazovou a barevnou paletu nemaj\u00ed b\u00fdt jeho d\u00edla radik\u00e1ln\u011b k\u0159i\u010d\u00edc\u00edm apelem, ale sp\u00ed\u0161e prostou strunou. Tou, kter\u00e1 ne\u00fanavn\u011b rozvibrov\u00e1v\u00e1 na\u0161\u00ed vn\u00edmavost a citlivost v\u016f\u010di v\u011bcem v n\u00e1s a kolem n\u00e1s.\u00a0<\/span><\/p>\n

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V\u00fdstava <\/span>Observace<\/span><\/i> p\u0159edstavuje d\u00edla Martina Salajky z posledn\u00edch t\u0159\u00ed let dopln\u011bn\u00e1 o n\u011bkolik d\u011bl star\u0161\u00edch. Najdeme zde rozs\u00e1hl\u00fd soubor obraz\u016f vytvo\u0159en\u00fdch jeho nej\u010dast\u011bji vyu\u017e\u00edvanou mal\u00ed\u0159skou technikou akrylov\u00fdch barev na pl\u00e1tn\u011b. \u00davodn\u00ed \u010d\u00e1st v\u0161ak obsahuje i jedno star\u0161\u00ed d\u00edlo (<\/span>Kolob\u011bh, 2017<\/span><\/i>) stoj\u00edc\u00ed na pomez\u00ed malby a grafiky. Mezi t\u011bmito v\u00fdtvarn\u00fdmi prost\u0159edky je toti\u017e rozkro\u010den i autor s\u00e1m. Grafiku tvo\u0159\u00ed tak\u0159ka stejn\u011b dlouho jako maluje a kombinov\u00e1n\u00ed t\u011bchto druh\u016f um\u011bleck\u00fdch vyj\u00e1d\u0159en\u00ed ho form\u00e1ln\u011b a v\u00fdrazov\u011b posouv\u00e1.<\/span>
\n<\/span>
\n<\/span> \u201e<\/span>Vyzkou\u0161el jsem v\u011bt\u0161inu grafick\u00fdch technik. Ka\u017ed\u00e1 technika klade trochu odpor a \u010dlov\u011bk p\u0159i n\u00ed mus\u00ed naj\u00edt jinou v\u00fdtvarnou zkratku. A to obohacuje um\u011bleck\u00fd rukopis. Sv\u00fdmi poznatky z malby obohacuji svou grafickou tvorbu a naopak. \u010casto tak\u00e9 tisknu na pl\u00e1tno nebo vlepuji grafiku do obraz\u016f a ty n\u00e1sledn\u011b domalov\u00e1v\u00e1m.<\/span><\/i>\u201d<\/span><\/p>\n

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V posledn\u00edch letech sest\u00e1v\u00e1 grafick\u00e9 d\u00edlo Martina Salajky p\u0159ev\u00e1\u017en\u011b z litografi\u00ed, jim\u017e je proto v\u011bnov\u00e1na tak\u0159ka cel\u00e1 \u00favodn\u00ed m\u00edstnost. Tato technika mu vyhovuje bohatost\u00ed v\u00fdrazov\u00fdch prost\u0159edk\u016f, v nich\u017e si v\u0161ak dovoluje d\u00e1le experimentovat. Tiskne tak nap\u0159\u00edklad nejen na tradi\u010dn\u00ed sv\u011btl\u00fd, ale i na barevn\u00fd podklad.\u00a0<\/span><\/p>\n

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N\u00e1m\u011btov\u011b byla pro v\u00fdstavu zvolena d\u00edla s motivy, je\u017e se v autorov\u011b tvorb\u011b \u010dasto opakuj\u00ed, k nim\u017e se periodicky vrac\u00ed, a vytv\u00e1\u0159\u00ed tak ur\u010dit\u00e9 dlouhodob\u00e9 cykly: duchov\u00e9 a d\u00e9moni, lesn\u00ed v\u00fdjevy se zv\u00ed\u0159aty, ale tak\u00e9 \u201em\u011bstsk\u00e9 d\u017eungle\u201d a jejich davy, kter\u00e9 jej d\u011bs\u00ed a fascinuj\u00ed z\u00e1rove\u0148.\u00a0<\/span><\/p>\n

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\u201e<\/span>Dav m\u011b jako rodil\u00e9ho venkovana n\u011b\u010d\u00edm znepokojuje. Sna\u017e\u00edm se \u010d\u00edst v\u0161echny ty lidsk\u00e9 tv\u00e1\u0159e, ale n\u011bkdy to jde obt\u00ed\u017en\u011b. \u010clov\u011bk je to nejpodivn\u011bj\u0161\u00ed zv\u00ed\u0159e\u2026 Maluji lidsk\u00e9 postavy \u010dasto jako d\u00e9mony chycen\u00e9 v pasti vlastn\u00edho cht\u011bn\u00ed a planouc\u00edho ega. Du\u0161e neznaj\u00edc\u00ed sv\u00e9 m\u00edsto ve sv\u011bt\u011b. Emoce, kter\u00e9 jdou z davu nap\u0159\u00edklad p\u0159i demonstrac\u00edch, jsou ur\u010dit\u00fdm zp\u016fsobem \u0161\u00edlen\u00e9. V\u00edce ne\u017e ten nejexpresivn\u011bji namalovan\u00fd obraz. Princip opakuj\u00edc\u00edho se motivu tv\u00e1\u0159e mi umo\u017e\u0148uje nach\u00e1zet pro tyto emoce v\u00fdraz a zkratku.<\/span><\/i>\u201d<\/span><\/p>\n

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Dominantn\u00ed a z\u00e1v\u011bre\u010dnou \u010d\u00e1st v\u00fdstavy tvo\u0159\u00ed obrazy z minul\u00e9ho roku inspirovan\u00e9 cestou do africk\u00e9ho Konga. Na ni se Martin Salajka vydal spolu s dal\u0161\u00edmi sedmi p\u0159edn\u00edmi \u010desk\u00fdmi um\u011blci v r\u00e1mci <\/span>Um\u011bleck\u00e9 expedice Kongo<\/span><\/i> uspo\u0159\u00e1dan\u00e9 neziskovou organizac\u00ed Save Elephants. C\u00edlem t\u00e9to v\u00fdpravy<\/span> byla v\u00fdtvarn\u00e1 reflexe tamn\u00edch environment\u00e1ln\u00edch probl\u00e9m\u016f, zv\u00fd\u0161en\u00ed pov\u011bdom\u00ed o nich a z\u00edsk\u00e1n\u00ed finan\u010dn\u00edch prost\u0159edk\u016f na ochranu zdej\u0161\u00edch \u017eivo\u010dich\u016f. Malby ovlivn\u011bn\u00e9 Kongem nesou je\u0161t\u011b v\u00fdrazn\u011bj\u0161\u00ed rukopis. Jejich ohniv\u011b planouc\u00ed barvy jsou nan\u00e1\u0161eny na pl\u00e1tno v pastozn\u00edch vrstv\u00e1ch, d\u00edky kter\u00fdm vznikaj\u00ed tak\u0159ka reli\u00e9fn\u00ed struktury. Ho\u0159\u00edc\u00ed prales se skrze n\u011b zhmot\u0148uje ve v\u0161\u00ed nal\u00e9havosti a divokosti.\u00a0<\/span><\/p>\n

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\u201e<\/span>V Kongu je jakoby v\u0161e zes\u00edlen\u00e9. V\u0161e je v\u00edce nahlas a drav\u011bj\u0161\u00ed. \u0158eka je v\u00edce \u0159ekou – jej\u00ed proud je siln\u011bj\u0161\u00ed, kal zakaln\u011bj\u0161\u00ed. Dav je v\u00edc davem – hlu\u010dn\u011bj\u0161\u00edm a bizarn\u011bj\u0161\u00edm. Les je hust\u0161\u00ed, zvuky lesa mnohem hlasit\u011bj\u0161\u00ed a v noci je v\u011bt\u0161\u00ed tma. V\u0161ude je v\u00edce \u017eivota i smrti. M\u00fdty jsou p\u0159\u00edtomn\u011bj\u0161\u00ed. Nadp\u0159irozen\u00e9 se zd\u00e1 b\u00fdt bl\u00ed\u017ee. Po Kongu jsem se proto sna\u017eil zes\u00edlit \u0159e\u010d malby tak, aby se stala jak\u00fdmsi sv\u00e9bytn\u00fdm \u017eivlem. Uv\u011bdomil jsem si tu tak\u00e9 mnohem v\u00edce, jak moc lidstvo planet\u011b \u0161kod\u00ed. Nena\u017eranost n\u00e1s zahub\u00ed\u2026 Vid\u011bli jsme ho\u0159et lesy, c\u00edtili v\u0161echen ten \u017e\u00e1r a d\u00fdm, sly\u0161eli duniv\u00e9 zvuky bezpo\u010dtu praskaj\u00edc\u00edch v\u011btv\u00ed a padaj\u00edc\u00edch strom\u016f. Ta destruktivn\u00ed s\u00edla \u010dlov\u011bka d\u011bs\u00ed i fascinuje. Energie po\u017e\u00e1ru stoup\u00e1 spolu s d\u00fdmem k nebi jako levituj\u00edc\u00ed du\u0161e sp\u00e1len\u00fdch tvor\u016f. Popel se vrac\u00ed zemi. Je\u0161t\u011b jsem cosi vid\u011bl v o\u010d\u00edch slona, ve zvuc\u00edch pralesa, v \u0159evu a gestech \u0161impanz\u016f. Snad mi \u010dasem dojde co a namaluji to tak\u00e9\u2026\u201d<\/span><\/i><\/p>\n

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\u2013 Jana Doktorov\u00e1, kur\u00e1torka<\/strong><\/p>\n

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\n

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V\u00fdstava je prodejn\u00ed. V p\u0159\u00edpad\u011b z\u00e1jmu o n\u011bkter\u00e9 z d\u011bl pi\u0161te na info@thebarrister.cz nebo volejte na 739 058 237.<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Od 6. 6. do 30. 8. 2025 m\u016f\u017eete v The Barrister nav\u0161t\u00edvit v\u00fdstavu v\u00fdrazn\u00e9 osobnosti sou\u010dasn\u00e9 \u010desk\u00e9 v\u00fdtvarn\u00e9 sc\u00e9ny – mal\u00ed\u0159e a grafika Martina Salajky. V\u00fdstava s n\u00e1zvem Observace p\u0159edstavuje \u0161irok\u00fd soubor 35 maleb a 12 grafick\u00fdch list\u016f autora. V\u00fdstava je zdarma k vid\u011bn\u00ed v otev\u00edrac\u00ed dob\u011b The Barrister: Po-St a So: 8:00\u2013\u206020:00, \u010ct-Pa: 8:00\u201322:00, […]<\/p>\n","protected":false},"author":3,"featured_media":757,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/posts\/756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/comments?post=756"}],"version-history":[{"count":6,"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/posts\/756\/revisions"}],"predecessor-version":[{"id":923,"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/posts\/756\/revisions\/923"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/media\/757"}],"wp:attachment":[{"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/media?parent=756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/categories?post=756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thebarrister.cz\/en\/wp-json\/wp\/v2\/tags?post=756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}