events@thebarrister.cz<\/a> <\/p>\n
T\u011b\u0161\u00edme se na V\u00e1s!<\/p>\n
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O autorce a v\u00fdstav\u011b:<\/p>\n
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IRENA PROCH\u00c1ZKOV\u00c1: <\/b>VITA VARIA<\/i><\/b><\/p>\n
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Tvorba a \u017eivotn\u00ed p\u0159\u00edb\u011bh Ireny Proch\u00e1zkov\u00e9 n\u00e1m dokazuj\u00ed, \u017ee cesta k vysn\u011bn\u00e9 mal\u00ed\u0159sk\u00e9 profesi a mezin\u00e1rodn\u00edmu \u00fasp\u011bchu nemus\u00ed v\u017edy v\u00e9st jen skrze ofici\u00e1ln\u00ed proud akademick\u00e9ho v\u00fdtvarn\u00e9ho vzd\u011bl\u00e1n\u00ed. Od \u00fatl\u00e9ho d\u011btstv\u00ed p\u0159edstavovala kresba a malba jej\u00ed dominantn\u00ed z\u00e1jem a byla ned\u00edlnou sou\u010d\u00e1st\u00ed ka\u017ed\u00e9ho jej\u00edho dne. Studium malby j\u00ed ale nebylo umo\u017en\u011bno a m\u00edsto toho se pozd\u011bji stala in\u017een\u00fdrkou ekonomie. L\u00e1ska k um\u011bn\u00ed a tvrd\u00e1 pr\u00e1ce na osvojen\u00ed mal\u00ed\u0159sk\u00e9ho \u0159emesla (od mnoha hodin ve ve\u010dern\u00ed mal\u00ed\u0159sk\u00e9 \u0161kole u akademick\u00e9ho mal\u00ed\u0159e Teodora Buzy, p\u0159es tak\u0159ka deset let intenzivn\u00edho studia u akademick\u00e9 mal\u00ed\u0159ky Bed\u0159i\u0161ky U\u017edilov\u00e9, a\u017e po ro\u010dn\u00ed \u0161kolu malby na \u010dern\u00e9 pl\u00e1tno u akademick\u00e9ho mal\u00ed\u0159e ukrajinsk\u00e9ho p\u016fvodu Alexandra Onishenka) j\u00ed v\u0161ak p\u0159esto dovedly k um\u011bleck\u00e9mu povol\u00e1n\u00ed a do bezpo\u010dtu v\u00fdstavn\u00edch s\u00edn\u00ed u n\u00e1s i v zahrani\u010d\u00ed. Jen od za\u010d\u00e1tku tohoto roku m\u00e1 za sebou dva \u00fasp\u011bchy: V b\u0159eznu ji\u017e pot\u0159et\u00ed zastupovala \u010ceskou republiku na jedn\u00e9 z nejv\u011bt\u0161\u00edch mezin\u00e1rodn\u00edch v\u00fdstav \u017eensk\u00fdch um\u011blky\u0148 <\/span>Art Connect Woman<\/span><\/i>, kter\u00e1 se ka\u017edoro\u010dn\u011b kon\u00e1 v Dubaji pod z\u00e1\u0161titou UNESCO. V dubnu pak ovl\u00e1dla pra\u017eskou V\u00fdstavn\u00ed s\u00ed\u0148 M\u00e1nes svou velkou retrospektivn\u00ed v\u00fdstavou d\u011bl vytvo\u0159en\u00fdch za posledn\u00edch 23 let jej\u00edho \u017eivota.\u00a0<\/span><\/p>\n <\/p>\n
V\u00fdstava <\/span>Vita Varia<\/span><\/i> nyn\u00ed p\u0159in\u00e1\u0161\u00ed soubor 25 pl\u00e1ten p\u0159edstavuj\u00edc\u00edch v\u00fdb\u011br toho nejlep\u0161\u00edho z figur\u00e1ln\u00ed a \u017e\u00e1nrov\u00e9 malby Ireny Proch\u00e1zkov\u00e9. <\/span>N\u00e1zev<\/span> Vita Varia \u2013<\/span><\/i> \u017eivot (je) pestr\u00fd<\/span> \u2013 <\/span><\/i>p\u0159itom nepostihuje jen motivickou, ale i form\u00e1ln\u00ed str\u00e1nku jej\u00ed tvorby, kter\u00e9 dominuje pestr\u00e1 barevn\u00e1 paleta. Barvy a jejich kontrasty jsou stejn\u011b tak z\u00e1kladn\u00edm stavebn\u00edm prvkem modelace ve\u0161ker\u00e9ho objemu a prostoru, jako prost\u0159edkem k vyj\u00e1d\u0159en\u00ed emoc\u00ed. Tak\u00e9 barva a n\u00e1m\u011bt jsou neodmysliteln\u011b propojeny a jejich vz\u00e1jemn\u00e9 inspirov\u00e1n\u00ed se v tv\u016fr\u010d\u00edm procesu autorky organicky p\u0159el\u00e9v\u00e1. A nez\u0159\u00eddka kdy doch\u00e1z\u00ed i k tomu, \u017ee prvek barevn\u00e9 skvrny p\u0159evezme inicia\u010dn\u00ed funkci inspira\u010dn\u00edho zdroje, kter\u00fd k n\u00e1m\u011btu vyb\u00eddne druhotn\u011b.\u00a0<\/span><\/p>\n <\/p>\n
Zvolen\u00e9 figur\u00e1ln\u00ed v\u00fdjevy tvo\u0159\u00ed v\u00fdznamn\u00e9 a kvalitativn\u011b siln\u00e9 j\u00e1dro tvorby Ireny Proch\u00e1zkov\u00e9. Autorka skrze n\u011b promlouv\u00e1 jako vn\u00edmav\u00fd pozorovatel okoln\u00edho sv\u011bta i lidsk\u00e9ho byt\u00ed a pod\u00e1v\u00e1 n\u00e1m sv\u011bdectv\u00ed o jejich nekone\u010dn\u00e9 pestrosti. Postavy na pl\u00e1tnech jsou pln\u00e9 \u017eivota a \u017eivot je skrze n\u011b oslavov\u00e1n <\/span>\u2013<\/span> a\u0165 u\u017e jsou zachyceny v lehkosti p\u0159\u00edjemn\u00e9ho okam\u017eiku, v radosti z pohybu, v pono\u0159en\u00ed do ka\u017edodenn\u00ed pr\u00e1ce nebo v t\u00ed\u017eiv\u00e9m momentu mezn\u00ed \u017eivotn\u00ed situace. Se stejnou intenzitou vn\u00edm\u00e1me pro\u017eitek zobrazen\u00e9ho boxera v ringu, tane\u010dnice flamenca v dokonal\u00e9 souh\u0159e hudby a sv\u016fdn\u00fdch pohyb\u016f, golfisty uprost\u0159ed dynamick\u00e9ho odpalu a harfistky v soust\u0159ed\u011bn\u00e9m um\u011bleck\u00e9m pohrou\u017een\u00ed. U \u017eeny od\u011bn\u00e9 do rud\u00fdch \u0161at\u016f, kter\u00e1 extaticky vychutn\u00e1v\u00e1 zvuk hudby b\u011bhem opojn\u00e9ho ve\u010dera, c\u00edt\u00edme stejn\u00e9 flow, jako u lehce u\u0161mudlan\u00e9 \u017eeny v z\u00e1st\u011b\u0159e, sed\u00edc\u00ed za brzk\u00e9ho r\u00e1na na obr\u00e1cen\u00e9m kbel\u00edku kdesi na molu a prob\u00edraj\u00edc\u00ed \u010derstv\u011b uloven\u00e9 ryby. Ka\u017ed\u00fd obraz v n\u00e1s vyvol\u00e1v\u00e1 dojem, jako bychom byly p\u0159\u00edm\u00fdmi \u00fa\u010dastn\u00edky jeho d\u011bje.\u00a0<\/span><\/p>\nNe n\u00e1hodou je autor\u010dino dovedn\u00e9 zachycen\u00ed atmosf\u00e9ry tak bl\u00edzk\u00e9 princip\u016fm, o n\u011b\u017e ve sv\u00fdch d\u00edlech usilovali impresionist\u00e9 a postimpresionist\u00e9, k jejich\u017e odkazu se hrd\u011b hl\u00e1s\u00ed. Transkripc\u00ed reality a zprost\u0159edkov\u00e1n\u00edm atmosf\u00e9ry v\u0161ak jej\u00ed um\u011bleck\u00e1 v\u00fdpov\u011b\u010f nekon\u010d\u00ed. Irena Proch\u00e1zkov\u00e1 zve div\u00e1ka na cestu kladen\u00ed ot\u00e1zek, kter\u00e9, a\u010d nezodpov\u011bzeny, poskytuj\u00ed zamy\u0161len\u00ed nad mnoha aktu\u00e1ln\u00edmi i univerz\u00e1ln\u011b platn\u00fdmi fenom\u00e9ny: Co asi pro\u017e\u00edv\u00e1 modelka, kter\u00e1 s odosobn\u011bn\u00fdm v\u00fdrazem a pr\u00e1zdn\u00fdm pohledem kr\u00e1\u010d\u00ed po molu za doprovodu oslepuj\u00edc\u00edch reflektor\u016f a cvakaj\u00edc\u00edch fotoapar\u00e1t\u016f? Jak\u00fd osud asi \u010dek\u00e1 v dob\u011b nekon\u010d\u00edc\u00edho technick\u00e9ho rozvoje a automatizace drobn\u00e9ho ryb\u00e1\u0159e nebo kv\u011btin\u00e1\u0159ku z mal\u00e9ho kr\u00e1mku na rohu ulice? Co ud\u011bl\u00e1 n\u00e1r\u016fst turismu s autenticitou tradi\u010dn\u00edho \u0161pan\u011blsk\u00e9ho tr\u017ei\u0161t\u011b? Co se asi odehr\u00e1v\u00e1 v mysl\u00edch zdravotn\u00ed sestry a l\u00e9ka\u0159e z covidov\u00e9ho odd\u011blen\u00ed, kte\u0159\u00ed <\/span>\u2013 <\/span>a\u010d skrze ochrann\u00e9 \u0161t\u00edty a respir\u00e1tory sotva vid\u00ed do tv\u00e1\u0159e jeden druh\u00e9mu <\/span>\u2013 si jedin\u00fdm pohledem sd\u011bluj\u00ed v\u0161e? A jak tenk\u00e1 je (ve v\u00fdtvarn\u00e9 metafo\u0159e obrazu <\/span>\u017dralok<\/span><\/i>) ve skute\u010dnosti hranice mezi bezstarostn\u00fdm dnem na slune\u010dn\u00e9 pl\u00e1\u017ei a momentem, kdy se v\u0161echno zvrtne?\u00a0<\/span><\/p>\n <\/p>\n
P\u0159es neutuchaj\u00edc\u00ed snahu o pozitivn\u00ed poselstv\u00ed a p\u016fsoben\u00ed sv\u00fdch d\u011bl nerezignuje Irena Proch\u00e1zkov\u00e1 na zachycen\u00ed komplexity sv\u011bta bez p\u0159\u00edkras. Jej\u00ed d\u00edlo je autentick\u00e9, stejn\u011b jako \u017eivot ka\u017ed\u00e9ho z n\u00e1s. <\/span><\/p>\n <\/p>\n
Mgr. Jana Doktorov\u00e1, kur\u00e1torka v\u00fdstavy<\/p>\n
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Zveme V\u00e1s na komentovanou prohl\u00eddku aktu\u00e1ln\u00ed v\u00fdstavy mal\u00ed\u0159ky Ireny Proch\u00e1zkov\u00e9 VITA VARIA, kterou si u n\u00e1s m\u016f\u017eete prohl\u00e9dnout a\u017e do 28. 7. 2024. Prohl\u00eddka se uskute\u010dn\u00ed 16. 7. 2024 od 18.00. V\u00fdstavou V\u00e1s provede a p\u0159\u00edb\u011bhy jednotliv\u00fdch pl\u00e1ten V\u00e1m p\u0159edstav\u00ed sama autorka. \u00a0 Vstup na v\u00fdstavu a \u00fa\u010dast na prohl\u00eddce je zdarma. \u00a0 Kapacita […]<\/p>\n","protected":false},"author":3,"featured_media":642,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-641","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t